Abbildung: Sons and Lovers
Winner of the Best Illustrated Book Cover at the V&A Illustration Awards 2014

Introduced by Colm Tóibín, illustrated by Anne-Marie Jones, three-quarter bound in buckram with a Modigliani paper side, printed with a design by Anne-Marie Jones, set in Dante, Frontispiece and 9 colour illustrations, 496 pages.



Dieser Artikel ist exklusiv für Büchergilde Mitglieder.

Dieser Artikel kann auch in Ihre Büchergilde-Buchhandlung geliefert werden.


‘When they come to manhood, they can’t love, because their mother is the strongest power in their lives, and holds them.’

This is how D. H. Lawrence described the central conflict of Sons and Lovers (1913), his first major work and considered by many his greatest novel. Lawrence drew on his own family life to write about the unhappy marriage between Morel, a miner, and his better-educated wife, and the intense relationship between the mother and her sons, especially her second son Paul. As he grows older, Paul forms a relationship with farmer’s daughter Miriam, and later with an older woman, Clara, a suffragette who is separated from her husband; but his emotional ties to his mother are not easily supplanted.

E. M. Forster described Lawrence as ‘the greatest imaginative novelist of our generation’ while Philip Larkin said of Sons and Lovers that ‘nearly every page of it is absolutely perfect’. With great freshness and sensitivity, Lawrence gives us a universal portrait of a family: ‘Home was home, and they loved it with a passion of love, whatever the suffering had been.’ In Paul’s troubled romances with Miriam and Clara, Lawrence paints a tragic picture of the relations between men and women at the time. Lawrence also captures the life of a Nottinghamshire mining village at the turn of the century; the men in their ‘pit-dirt’, the families collecting the colliers’ wages on a Friday, and children hunting for blackberries in the nearby countryside.

‘There is nothing quite like Sons and Lovers in the whole of literature. It is momentous’

Published by Folio to mark the centenary of the book, this edition is set from the unexpurgated text first published by Cambridge University Press in 1992. The introduction is by the internationally award-winning author Colm Tóibín. Describing Paul’s Oedipal longings for his mother’s love and his father’s destruction, he says that ‘Lawrence did not need Freud to write this; he knew it.’ Anne-Marie Jones has created ten hauntingly enigmatic images, using a mixture of painting and digital artwork.

Kommentare und Bewertungen
Jetzt bewerten